Category Archives: artwork
Unauthorised Collaboration William S. Burrows & Nichol Keene
An online version of the Publication can be found by clicking here.
Unauthorised Collaboration William S. Burrows & Nichol Keene
An online version of the Publication can be found by clicking here.

Langauge Experiments Volume One
Language experiments volume one is a set of three handmade books and clampshell box. It uses two pre exiting texts to form an investigation into language and constrained writing, using detailed and laborious processes. The two text used were An

Langauge Experiments Volume One
Language experiments volume one is a set of three handmade books and clampshell box. It uses two pre exiting texts to form an investigation into language and constrained writing, using detailed and laborious processes. The two text used were An
Gerturde Stein / Nichol Keene
Gertrude Stein discussed punctuation to great length. She discusses individual punctuations, almost giving them personalities of their own based on their merits or negative qualities. For these reason when I developed an interest in punctuation I chose to work with
Gerturde Stein / Nichol Keene
Gertrude Stein discussed punctuation to great length. She discusses individual punctuations, almost giving them personalities of their own based on their merits or negative qualities. For these reason when I developed an interest in punctuation I chose to work with

The Poet that dials for Lest we Emancipate show
The Poet that dials is a performance i created for the Lest we Emancipate exhibition, curated by Mike Sperlinger. The work is based on the Dial-a-Poem poets created by John Giorno in 1968, using his non-profit record label Giorno Poetry Systems.

The Poet that dials for Lest we Emancipate show
The Poet that dials is a performance i created for the Lest we Emancipate exhibition, curated by Mike Sperlinger. The work is based on the Dial-a-Poem poets created by John Giorno in 1968, using his non-profit record label Giorno Poetry Systems.

off the beaten track
Some of my work was selected by Simon Martin for a group show at Studio Voltaire in clapham, london. I was also commisioned to help design and print a collaborative screen printed artwork specifically for the exhibition, which was available

off the beaten track
Some of my work was selected by Simon Martin for a group show at Studio Voltaire in clapham, london. I was also commisioned to help design and print a collaborative screen printed artwork specifically for the exhibition, which was available
selected by Mike Sperlinger for Lest we Emancipate
I was selected by Mike Sperlinger, the Assistant Director of lux to create a work for ‘Lest we Emancipate’ a show in April 2011
selected by Mike Sperlinger for Lest we Emancipate
I was selected by Mike Sperlinger, the Assistant Director of lux to create a work for ‘Lest we Emancipate’ a show in April 2011

720
For ‘720’ I chose three, six word quotes, from the last three things that i had read. These were; the Ernst Hemingway quote, an article by Sean Ashton in Map magazine and Allen Ginsberg’s Howl. It was decided that the

Camberwell’s very own Speakers Corner
For Camberwell Arts Festival 2010 I was invited to create and curate Camberwell’s very own Speakers Corner. The most famous speaker’s corner has been in Hyde Park for over 150 years and has historically given the people the right to speak.

Camberwell’s very own Speakers Corner
For Camberwell Arts Festival 2010 I was invited to create and curate Camberwell’s very own Speakers Corner. The most famous speaker’s corner has been in Hyde Park for over 150 years and has historically given the people the right to speak.
the tales of brixton
The Tales of Brixton was a part participatory, part observational project which ran at Big Window Collective in Brixton Village Market, between January 2010 and April 2010. I collected stories and rants from the local community, throughout the residency I
the tales of brixton
The Tales of Brixton was a part participatory, part observational project which ran at Big Window Collective in Brixton Village Market, between January 2010 and April 2010. I collected stories and rants from the local community, throughout the residency I